12/7/2023 0 Comments Silver gelatin print rc paper![]() ![]() gold and platinum toners, but also with a shift in image tone. Some metal replacement toners can also protect the image, e.g. Kodak Brown Toner) but these will also give a significant warm, brown shift in image tone. Sulfide (sepia) toning also gives an image of increased stability as do polysulphide toners (e.g. Selenium toner is recommended as it has little effect on the image color. Oxidizing gases come from everyday items such as newly laid carpet, wet gloss paint, newly applied adhesives, and traffic fumes. It is recommended that prints made for display are toned to protect them from the oxidizing gases that are found in many environments. Wet mounting resin-coated prints on non-porous materials (e.g. When mounting large prints, this method is an advantage, as there is time to position the print correctly and remove any air bubbles that might have become trapped between the print and the mount, without damaging the print. hardboard) using wet adhesives such as those designed for wall coverings. Galerie RC Digital Silver paper can be mounted onto porous surfaces (e.g. Solvents must be allowed to evaporate completely from both print and mount before the two are brought into contact. These adhesives are available in liquid form for brushing or spraying and are suitable for mounting Galerie RC Digital Silver prints onto porous or non-porous mounts. Note: Always read the safety advice given by the manufacturers before using spray adhesives. Spray adhesives are suitable for mounting Galerie RC Digital Silver. ![]() Several makes are available in sheet or roll form. Some adhesive sheets allow the print to be repositioned after fixing. These provide a very effective and convenient means of mounting Galerie RC Digital Silver paper onto porous or non-porous surfaces, without the need for special machinery. Double-sided adhesive sheets/cold mounting films Although the manufacturers’ recommendations should be followed, most tissues will give good results in a dry mounting press at a temperature of 80-90☌ (144-165✯) with prints under pressure for about 30-40 seconds. 44M pearl surface whereas a foil overlay is recommended for glossy surfaces. The use of a silicone release paper is recommended for the. Galerie RC Digital Silver prints can be dry mounted in the usual way. ![]() Where prints are to be mounted for long periods (in excess of 12 years), the dry mounting method is recommended. Galerie RC Digital Silver prints can be mounted in one of the following ways. Make sure your monitor isn’t too bright as most monitors are too bright at their default settings.įile size should be 200-300 dpi at the output size for optimum quality. Our preferred format for this product is 8-bit Grayscale JPEG format images. The Darkroom’s black & white prints are printed on Ilford Galerie RC Digital Silver Paper. ![]()
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